Sierra Poetry Festival’s Poetic Crossing

Dear Friends,

Irrepressible spring leans toward summer. Even here, at the coast, inland heat simmers just beyond the fog and ocean clouds. With April comes National Poetry Month and with that come the festivals!

I’m reading in the Sierra Poetry Festival’s Poetic Crossings on North San Juan Ridge (just outside Nevada City), a site of artistic vitality when I lived in Nevada County in the late 70s and early 80s. I am grateful for the long friendships I have maintained with this place and these people who contributed immeasurably to my growth as a poet.  With poppy fields! Susan

Poetic crossings

From the organizer, Bishop Randall: In 1969 Gary Snyder, Allen Ginsberg, Dick Baker, and James Walter bought a piece of property along a spur of the San Juan Ridge.  With their re-inhabitation came a slew of characters who would visit or eventually call this place home. This event honors our rich past and present ridge poetic tradition, with a night of history, remembering those who have gone, who we love. Each poet will share a bit of history about the poet they are reading and few of their poems, plus a few poems of their own.

In a letter to Bishop Randall, Gary wrote, “I was trying to say to you, that one does not become a poet or even a writer, without some background scrabbling.  And a lot

of reading and thinking, especially about the curious role “poetry” has in our culture, an inbuilt prestige but also no serious rewards.  You do it for yourself and your artist comrades, but the literary public just gives it a look and moves on. And, as it often is in art, people give poetry lot of respect but then basically ignore it.  When you have real issues, and a circle of lively minds, it gets interesting.  That’s what we have here.”

Poetic Crossings, Past & Present: San Juan Ridge

Doors 6:00. Reading 7:00 PM; $15 suggested donation. Proceeds benefit the

Schoolhouse & Nevada County Arts Council/Sierra Poetry Festival. Here is a link to the Facebook events page,

https://m.facebook.com/events/591327929551574/?ref_source=newsfeed&ref_mechanism=feed_attachment&action_context=%257B%2522action_history%2522%253A%2522null%2522%257D

Speakeasy @ Bodevi

27 May 25

Dear Friends, Coming right up! I’m joining the line up at the LA Poets’ Society Speakeasy, Friday, May 30, 7 PM, Espresso Bar, 909 San Fernando Rd., to raise a ruckus with words and harmonica about the war machine’s deathly grip and the earth’s irrepressible beauties. Join us!
Love=Peace,
Susan

EARTH DAY EVERYDAY CABARET

Dear Friends, Earth Day Everyday is our dearest aspiration as we carry deeper into springtime. The burned hillsides where I hike manage to sprout greens through the blackened ground, and the coastal bushes, when not totally destroyed, send up new growth from the crown. These fires were hot, but wherever there is a living root, crown, soil, I see green shoots, grasses, lupine, and other flowers blooming their way through.

 Join us as we celebrate this revival with music, storytelling, poetry, and more. Yes, I will wail away on my harmonica! Don’t miss it!

Love=Peace, Susan

Sacred Sites included in the Serpent and the Fire

When I returned to California from graduate school in England (U of Kent, Canterbury), I discovered the first edition of Jerome Rothenberg’s radical, brilliant anthology: Technicians of the Sacred. He created the term ethnopoetics to recognize the spoken, chanted, and sung works of tribal cultures to be significant contributions to the world of poetry, and not prose into which most were flattened in translation. Rothenberg’s work was central to changing that practice.

Inhis final anthology (he died in May of this year), The Serpent and The Fire: Poetries of the Americas from Origins to Present, released this month from University of California Press, Rothenberg, with co-editor Javier Taboada, demonstrates the magnificent breadth and spirit of the poetic voice. He evolves ethnopoetics into a spacious embrace, omnipoetics:a gathering of poetry from all parts of the Western Hemisphere drawn from several millennia written in European and Indigenous languages.

My book, Sacred Sites: The Secret History of Southern California, was inspired and informed by Jerry’s vision. I am honored to have an excerpt from it included The Serpent and the Fire.

Peace=Love,  Susan

Note: Sacred Sites: The Secret History of Southern California is available as an audiobook via your library and Spotify.

Reading at Puvungna!

Dear Friends, Join us me at one of Southern California’s most important Native American sacred sites and the location of the large, ancient village of Povungna. All are welcome at this very special event where I have been invited to read about Povungnafrom Sacred Sites: The Secret History of Southern California.

Sit with us in the ceremonial circle under the oaks at this rare event!

For millennia, Povungna has played a central role in Southern California Native cultural practices.

Location: Park in Lot G2, off Bellflower Blvd, (search: California State University, Long Beach; turn left into the campus, left at the first street, left into the lot; park in the back section.)

Bring a sweater. Free parking. Bring your words and songs to share!

I will have books available to sign. The Sacred Sites audiobook, a national award finalist, featuring Native American actor Kalani Queypo, Peter Coyote, myself and flute by Ernest Siva, is available on Spotify and at libraries!

May our hearts be kind, brave, and peaceful, Susan

Earth Day: April 20, 2024

Dear Friends, Shimmering on wild branches in the Santa Monica mountains is spring light illuminating the blossoms of dusty pink laurel sumac and the white, pink, or pale lavender ceanothus blooms- sometimes called California lilac–a fragrant reminder of life’s vigor and beauty that must be celebrated!

Susan

Earth Day Cabaret

Join me and a cast of poets, musicians, storytellers in a spirited Earth Day Cabaret!
Saturday, 20 April 2024, 2 PM to 3:30 PM at Beyond Baroque: 681 Venice Blvd, Venice, CA 90291

Free! Easy Parking! Refreshments!

RESERVE NOW! https://www.eventbrite.com/e/earth-day-cabaret-tickets-881067234817

In person and live streamed on the Beyond Baroque YouTube channel.

April 2024

April 5. 2024

Dear Friends,

Early spring rolls in with a hubbub of rain, wild winds, and hail. The ceanothus in the Santa Monica Mountains bloom thickly, sweetly pink, white, lavender. The bees fill the blossoms. Despite the grim human news, spring vitality is on full display. I am so grateful!

Looking Ahead: Please mark your calendars: April 20, 2-4 PM, at Beyond Baroque on Venice Blvd, a poetry and music environmental extravaganza. I am bringing my harmonica! More about this next time.

THIS SUNDAY, April 7, 2024 from 1:30 to 4 p.m.

Join us at The Wild Eye Pub535 Mill St Grass Valley, CA 95945

A book launch and signing for

Looking for Love in the Sears Catalog

(by Beverly Leach, (Ruth Ghio’s given name)      JOIN US!

“I was born in the Fred Finch Home for Unwed Mothers in Fargo, North Dakota,” is the opening salvo of Ruth Ghio’s memoir, Looking for Love in the Sears Catalog.  The memoir recounts the early years of Ghio’s eventful life which began nearly 92 years ago.

Available now on Amazon!

Ruth's Cover.JPG

Accompanying Ruth will be Julie Valin, poet, member of The Poetry Crashers, and book design guru; Donna Hanelin, poet, writer, and creative writing teacher; Julia Connor, poet, sculptor, painter, writer, and twice poet laureate of Sacramento; Susan Suntree, poet, performer, and essayist; Maxima Kahn, writer, poet, and creativity coach; Kit Bailey, percussionist, and Laura Pendell, poet and writer.

Here is the full text of the praise/blurb I wrote for this memorable book:

Ruth Ghio’s memoir about her terrifying childhood in a poor, alcoholic Finnish immigrant family in North Dakota participates in the American literary tradition wherein nature providescrucialsolace, affecting the outcome of a story. Even Upton Sinclair’s grim novel, The Jungle, about the degradation and despair of a Lithuanianimmigrant family working in the Chicago stockyards concludes with the main character, Jurgis, finding redemption in Socialism and in the green vistas of the natural world beyond the stockyard’s gray stench. Nature fortifies both body and soul, inspiring a fresh vision of what must be done to live an authentically better life. Similarly, in the worst circumstances of her childhood, the mysterious beauties of the natural world stirred in Ruth a sense that life spread wide and wondrous in the territory beyond her family. Each chapter begins with a short poem that in direct language and images evokes the resilient and curious spirit of the girl, the author herself, who is the protagonist of this memorable story.

Once there was a child sitting on the porch after a scorching day.

Eating the first summer watermelon, tasting the sweetness,

the juices running down her chin.

The sun descending between two prairie hills, like a golden loaf of bread.

And she asked herself, “Where did it go?”

In turns horrifying and inspirational, Ruth’s memoir is a vulnerable, penetrating, vivid meditation on the profound deprivations of body, mind, and spirit that drove her parents Westin an attempt to grasp their American dream. And she bravely contemplates the life-long effort it has taken her to create her life out of those nearly devastating beginnings. From her secret childhood dreams shaped by reading the Sears Catalogue, to her family’s flight from North Dakota to the Golden Land-her mother’s name for California, to a brief stay on the Oregon coast, to her teenage years in Oakland and Richmond tenements, Ruth’s story is quintessential; an American life told with wrenching tenderness.

 Peace for All Beings!

Susan

The history of Earth in free verse

 I’m well!  Yes, the current moment is deeply challenging and heart wrenching, but we continue to have our work to do to renew our cultures and to learn to live in balance with the natural world.

Here is the link to the marvelous article about Sacred Sites by Victor Monin published in the bilingual (French/English) journal: Art et science/Art and Science.

L’histoire de la Terre en vers libres : traduction inédite et commentaire d’un extrait du poème Sacred Sites par Susan Suntree

The history of Earth in free verse: a French translation and discussion of an excerpt from the poem Sacred Sites by Susan Suntree

It was published last year in the bilingual on-line journal, Art et science/Art and Science. I urge you to take a look because the journal has beautiful visuals accompanying most of the articles.

Here’s the link: https://www.calameo.com/iste-group/read/00584164653ee853f8704?trackersource=library

Art et science/Art and Science

Vol 7 No.2 2023   Page 61-71

You can read an English translation on my website:

https://susansuntree.com/2023/12/29/2874/

Take good care. I will write again soon.

Love=Peace

Susan

Winter Solstice and Good News-Sacred Sites in Translation!


Adobe Acrobat Services PDF Embed API Sample




A finger of new light vivifies the Solstice Petroglyphs, Simi Hills, CA.

Dear Friends, Earth rolls toward the east as the sun, moon, and stars disappear behind the Western borderlands. Where I live, they seem to glide through clouds or veils of fog into the Pacific. The cycles of the seasons bring me solace, ever turning away and returning, a Great Wheel reminding me about the nature of this universe. May the world’s current darkness bear the solace of returning spring.

Wonderful News!  The following essay:

L’histoire de la Terre en vers libres : traduction inédite et commentaire d’un extrait du poème Sacred Sites par Susan Suntree

The history of Earth in free verse: a French translation and discussion of an excerpt from the poem Sacred Sites by Susan Suntree was published earlier this year in the bilingual on-line journal, Art et science/Art and Science.

https://www.calameo.com/iste-group/read/00584164653ee853f8704?trackersource=library

Art et science/Art and Science

Vol 7 No.2 2023   Page 61-71

It was a pleasure to consult with the author, Victor Monnin, on the translation into French of a selection from Sacred Sites: The Secret History of Southern California (Note: available wherever you purchase books; audiobook now available on Spotify and audiobooks.com).

Here is the abstract in English which presents his premise about the value of free verse poetry in the discussion of science. I’ve attached (and included at the end of this note) his entire essay in English translation in case you’d like to read it.

ABSTRACT. This article presents a French translation of an excerpt from Sacred Sites. The Secret History of Southern California, a poem by American writer and poet Susan Suntree. This translation is seen as an opportunity to discuss the advantages afforded by the free verse form to not only narrate the history of Earth and life but also cultivate among the public a deeper awareness about time. This article contributes therefore to the literature on the role played by artistic forms and technics in the study of the geological past or deep time. Commenting on the translated excerpt from Sacred Sites, it argues that the free verse form represents a poetic medium suitable to simultaneously give shape to the historicity of Earth and share something of the unique conditions in which this historicity is being studied. The educational and expressive potential of free verse and other poetic forms to share geological knowledge and perspectives should seriously be considered in view of today’s environmental crisis.

Peace=Love,

Susan

Adobe Acrobat Services PDF Embed API Sample